THE SALVESEN SISTERS - ORIGINAL VERSION
CHAPTER 1 - 1981
My eyes focus on the faded black and white photo. I struggle to sit up and, with a shaking
hand, reach for the picture. My gnarled hand
claws thin air and frustrated I try again.
I am rewarded by the feel of the cold solid silver frame. I pull it towards me, the edge scraping along
the surface of my bedside table, like fingernails down a blackboard. Three sepia faces stare back at me. If I look closely I can see that the right-hand
side of the picture is tattered where it has been cut and, along this jagged
line, the wispy remains of a fourth person can just be seen, like a shadow or
ghost. The women are beautiful, but that
was a long time ago
I lean back on the pillows and gaze around
the anonymous room, one of twelve identical boxes strung out along a
featureless corridor. My beloved Japanese
Tansu chest, and the secrets that lurk within, presides over the room. An institutional chair, set at an angle to the
chest, sits by the window. A narrow wardrobe
stands in the corner, its white plywood doors chipped and stained; it had come
with the room. Through the doorway there
is a functional bathroom, from where I can hear the steady drip of a tap.
“How many times have I mentioned it to
that woman,” I think. “If only my legs
would work I would go and turn it off myself.” The incessant drip seems to mock me and my
feeble state.
I study the photo again, remembering the
day it was taken at Clarence Studios in Croydon. Papa had escorted us. I can’t recall if Mama had been present. That morning, we had taken a great deal of
time over our appearance. We wore
identical square necked white cotton blouses, gathered in pin-tucks at the
shoulders. Our thick long unruly dark
hair had been professionally piled on top of our heads. As we stood posing for the photographer, Papa
had placed a silver locket around each of our necks.
‘A present for my beautiful daughters,’ he
had said.
Papa liked beautiful things. He could afford them. Papa, who was Norwegian, owned a fleet of
ships. He was a self-made man and was
fond of telling us how, at fourteen, he had lied about his age to get his first
job on board a ship coming to London . In an age where young women were supposed to
be seen and not heard and urged to get married, Papa flouted convention and
encouraged us all in our education and independence. I adored him.
That day, in Clarence Studios, was the
first time I became aware of Florrie’s blossoming beauty and the effect it had
on those around her. The photographer, a
young nervous individual, had blushed to his roots when she had asked him
casually,
‘Why do you
stare at me so intently? Do I have a
stain on my blouse or maybe a hair out of place?’
I brush the dust from the glass. In the middle Ick stares shyly at the camera,
the baby of the family at seventeen. Constance stands on the left. Although she is smiling, the smile doesn’t
quite reach her eyes. I knew she was
feeling anxious about her forth-coming wedding.
After she married she never smiled again, until the baby arrived. And there I am, standing on the right, my
gaze looking distant as if I had already gone away.
Ah, I remember now. Mama wasn’t there as this was to be a surprise
gift from Papa before Connie got married and I left for Asia
and of course, before Florrie had gone.
My thoughts are interrupted by a knock and
the door opening.
‘Morning Aggie, time for your cup of
tea. And I’ve got some lovely Rich Tea
biscuits for you too.’ Dora’s jolly face
appears around the door.
I see her hair has changed from auburn to coal-black
since yesterday and her ample bosom is squeezed into a fuchsia pink top. She places the tea on my bedside cabinet and
liquid sloshes into the saucer. “Why
can’t they be more careful?” I think.
‘What have you
got there then?’ she says peering at the photo.
‘Reminiscing about the old days are you?’
I ignore the
remark.
‘Would you mind
putting my tea over there and helping me out of bed. I feel inclined to sit in my chair for a
bit.’
‘Of course
love. I tell you what, why don’t I wheel
you into the day room? A bit of company
will do you good.’
‘No, thank you
I’d rather stay here. Besides, I’m
expecting a visitor later and I’ve got some sorting out to do before she
arrives.’
Dora helps me out of bed and I’m half
carried, half frogmarched to the chair. My
posterior hovers for a few seconds and then I’m falling backwards. The plastic cover crackles as I sink into
it. Dora wheels the bedside table over
and stands the photo on top of it. I
notice her magenta nail polish is chipped.
‘See you later love.’ Dora calls as she closes the door behind her.
Five minutes after Dora is gone I can
still smell her; an unpleasant cocktail of cheap perfume mingled with stale
nicotine. Then, I remember the dripping
tap. I will ask her next time. Old age is like that. The memories in your distant past that you
want to forget return without warning, as if they only happened yesterday. The things that happened a few hours ago are
a distant fuzzy blur refusing to materialise.
I lean forward and run my hands over the
surface of my Tansu chest, feeling the indentations and knots of the cedar
wood. The black metal handles stand cold
and stark, sentinels to the different drawers and compartments. I clasp the middle handle and pull the drawer.
I rummage around inside until I feel the
soft downy velvet of my oblong jewellery box.
Placing it on my lap I flip open the lid and there cushioned in the purple
satin folds lies my silver locket, the lustre tarnished. I clasp it in my hand and feel the delicate
chain slip through my fingers, like rosary beads, as I remember how the whole
fateful sequence of events started.
The year was 1913.
Emily Davison had thrown herself under the King’s horse at the Derby only a few weeks
earlier. Feisty women fascinated Papa
and we would often discuss the Suffragette Movement. Connie had just got married so she wasn’t
there to say goodbye. She was
honeymooning in the South of France. Instead,
Ick and Florrie had helped me pack my trunk. The house had seemed odd without
Connie and now I was leaving too. We had
left Purley by the noon
train. Mama and Florrie had accompanied
me. I don’t recall why Ick hadn’t come
too. Papa met us from his offices at Charing Cross , and bought us some fruit to take in the
train, and I took the precaution of running over to Lyon ’s
and buying some sandwiches, which we were glad of later on. If Papa had looked tense I hadn’t noticed,
although the problems with his business must have already started.
The passage across the Channel was rather
rough, but, nevertheless, we withstood it well.
On reaching Ostend ,
Mama treated us to oysters. I can still
remember them slipping down my throat.
After the first two or three I began to like them. Florrie and I shared a room in the
hotel. I can’t remember the name of the
place, only that it overlooked the sea. That
evening, as we prepared for bed, Florrie turned from the dressing table.
‘I do envy you, off on a big adventure
while I’m going to be stuck at home with Mama and Papa,’ she said.
‘I am excited, but I’ll miss you all. Anyway, you know Papa said you may visit next
year, if you are up to it.’ I smiled.
‘Of course I will be “up to it.” I wish they wouldn’t fuss so. I wonder how Connie’s getting on? Douglas is rather
handsome don’t you think?
‘To be honest I’ve not really thought
about it.’
‘Oh come on. I think beneath that aloof exterior there
lurks a passionate man. He has the most
intriguing eyes, like deep pools of blue.’
‘Florrie, what do you know of
passion? You shock me so with your
language. You’ve been reading too many
romantic novels.’
‘And what about your Mr Grimm. I wonder what he will be like. I hope he isn’t as his name suggests.’ Florrie laughed.
‘He is not “my Mr Grimm.” Besides, I will be far too busy in my new
role to even think about romance. Now
come on, we’ve got a busy day tomorrow.’
I said shooing her into bed.
Our stay in Ostend had coincided with the World
Exhibition in Ghent
and Papa had managed to get us tickets. I
was interested in seeing the section that dealt with tropical diseases, but Florrie
wasn’t. She wanted to see the display of
the latest ladies’ fashions and, as usual, we indulged her and a good deal of
the afternoon was spent in admiring some, and laughing at the exaggerations of
others. When we left the Exhibition the
place was crowded, and the traffic was so badly regulated that it seemed dangerous
to cross the road. We couldn’t get a
cab, so tried to get on to a crowded tram.
Mama just managed to get on and was pushed off again while the tram was
in motion. It was a miracle that she
landed on her feet.
We had all but given up when a cab drew to
a standstill and a fair haired gentleman jumped out.
“Ladies, please let me help you. I believe we are staying at the same hotel? Here please join me. I am going to the station. Sorry I’m forgetting my manners. Clive Owens.’ He gushed, putting out his hand
to Mama.
‘That’s awfully kind of you. I’m Emily Salvesen and these are my
daughters, Agnes and Florence .’
As the cab crawled along Mr Owens told us
he had been commissioned by a magazine to write an article on the Exhibition. He smiled politely as Mama told him of my
forthcoming trip to Japan . I noticed his gaze lingering from time to
time on Florrie.
The next morning, and the day of my
departure from Ostend ,
I woke early and stood at the window, watching the sunlight dance on the
surface of the sea. I longed to take a
farewell dip, but there were no batching machines out. It was hard to believe that in just under
fifteen days I would arrive in Yokohama
where I would meet Mr Grimm and his staff.
Mr Grimm was the editor of the Japan Herald. It was the first British newspaper to be
published in Japan
and I was to be the first female administrative clerk. I know Papa’s influence had helped me gain
the position. I felt content to be
embarking on a career. Marriage wasn’t
for me, or so I thought. It wasn’t that
I was against marriage it was just that all the young men I met seemed so
dull.
‘A penny for them.’
I turned from the window and found Florrie
propped up on one elbow smiling, while her free hand idly twirled a lock of her
hair. It was a habit of hers that
irritated me.
‘Oh
I was thinking how nice it would be to take a dip. The sea is like a mill-pond and it’s such a
beautiful day, but there are no bathing machines out.’
‘Go
on then, I dare you.’
‘It
would be improper to take a swim, you know that. Besides, we said we would meet Mama for
breakfast in an hour, so come on lazy bones.’
I said playfully throwing a cushion at her.
At breakfast I found it impossible to follow
Florrie’s incessant chatter. My thoughts
kept drifting to the journey ahead. I
think Mama could sense my nervousness as she squeezed my hand.
‘I
do hope your return crossing will be smooth.
I feel I should be there to tuck you up in your deck chairs. I know how inclined you are to feel
sea-sick.’ I said to Mama as we sat in
the hotel lobby.
‘Don’t worry, we will be fine, won’t we
Mama?’ Florrie laughed. ‘And besides, Mr Owens is on the same
crossing and has promised to look after us.’
With this, she gave a little wave and I looked up to see Mr Owens
staring at us.
We were interrupted by the doorman.
‘Madam, your cab is here.’
My chin drops on my chest and rouses me from my reminiscing. The sunlight is warming my arthritic limbs,
but I’m uncomfortable in my knitted bed jacket.
My legs, encased in the brushed-nylon night-dress, are sticking to the chair’s
plastic cover. “All I need is something
to put under me,” I think. I spot my
dressing gown lying across the bed. I
lean forward, but I can’t reach it. I
don’t want to call Dora. I push my table to one side and slowly ease
myself up holding onto the arm of the chair.
My spindly legs feel as if they might snap at any moment. I stagger forward. “So far so good.” The next moment I am lurching as if
drunk. Falling forward I hit the floor
with a thud. The carpet burns my face as
it slides along the rough synthetic surface.
I lie there, my face pressed into the powder blue ridges. Cautiously I move my arms and legs. Luckily I’m not a heavy person and there are
no bones broken. I try to raise myself
onto my arms and knees to crawl, but my energy has gone. I notice there is thick dust and fluff lying
under my bed, long forgotten. I make a
mental note to mention it to Dora, along with the dripping tap. I know it won’t be long before I am
discovered. Then, the doctor will be
called to examine me and I will have the usual battle as I refuse to take his
prescribed medication. “Damn,” I shout
and thump the floor with my puny fist. It
is then that I notice I’m still clasping the locket. I close my eyes and see Florrie’s face, and
then I remember my visitor. “Damn,” I
whisper again.
THE END OF CHAPTER 1
___________________________________________________________________
VERSION TWO
THE SALVESEN SISTERS - UPDATED VERSION
CHAPTER 1
The old woman struggles to sit up and, with a shaking hand,
she reaches for the picture. Her gnarled
hand claws thin air and frustrated she tries again. She pulls the solid silver frame towards her,
the edge scraping along the surface of the bedside table, like fingernails down
a blackboard. Three sepia faces stared
back at her. The right-hand side of the
picture is tattered where it has been cut and, along this jagged line, the
wispy remains of a fourth person can just be seen, like a shadow or ghost. The women are beautiful, but that was a long
time ago.
The year was 1913.
Emily Davison had thrown herself under the King’s horse at the Derby
only a few weeks earlier. Feisty women
fascinated Papa and the family would often discuss the Suffragette
Movement. Connie had just got married so
she wasn’t there to say goodbye. She was
honeymooning in the South of France.
Instead, Ick and Florrie had helped Agnes pack her trunk. The house had
seemed odd without Connie and now she was leaving too.
Agnes stared around her bedroom. The sunlight shone on the frame of a
photograph. She scooped it up and placed
the photo on the top of her trunk. The
smiling faces of her sisters stared back.
The photo had been taken at Clarence Studios in Croydon a couple of
months ago. It was a surprise present
for Mama. Papa had escorted them. That morning, they had taken a great deal of
time over their appearance. They wore
identical square necked white cotton blouses, gathered in pin-tucks at the
shoulders. Their thick long unruly dark
hair had been professionally piled on top of their heads. As they stood posing for the photographer,
Papa had placed a silver locket around each of their necks.
‘A present for my beautiful daughters,’ he
had said.
Papa liked beautiful things. He could afford them. Papa, who was Norwegian, owned a fleet of
ships. He was a self-made man and was
fond of telling anyone who cared to listen, how, at fourteen, he had lied about
his age to get his first job on board a ship coming to London .
In an age where young women were supposed to be seen and not heard and
urged to get married, Papa flouted convention and encouraged his daughters in
their education and independence. They
adored him.
‘Ready?’
Agnes looked up to find Florrie standing in the doorway.
‘As ready as I’ll ever be.
I’ll miss this place and of course you,’ Agnes sighed.
‘I wish I was coming with you, but at least we’re able to see
you on our way and Papa has managed to get us tickets to the Great
Exhibition. I’m so excited.’
They left Purley by the noon train. Papa had met them from his offices at Charing
Cross, and given them some fruit to take in the train, and Agnes had taken the
precaution of running over to Lyon’s and buying some sandwiches, which they were
glad of later on. If Papa had looked
tense when he waved them goodbye she hadn’t noticed, although the problems with
his business must have already started.
The passage across the Channel was rather
rough, the water a murky grey. Poor Mama
had looked pale, but Agnes and Florrie had withstood it well. On reaching Ostend , Mama treated them to oysters. Agnes had grimaced at the feel of them
slipping down her throat. Florrie and Agnes
shared a room in the hotel. That
evening, as they prepared for bed, Florrie turned from the dressing table.
‘I do envy you, off on a big adventure
while I’m going to be stuck at home with Mama and Papa,’ she said.
‘I am excited, but I’ll miss you all. Anyway, you know Papa said you may visit next
year, if you are up to it.’
‘Of course I will be “up to it.” I wish they wouldn’t fuss so. I wonder how Connie’s getting on? Douglas is rather
handsome don’t you think?
‘I’ve not really thought about it.’
‘Oh come on. I think beneath that aloof exterior there
lurks a passionate man. He has the most
intriguing eyes, like deep pools of blue.’
‘Florrie, what do you know of
passion? You’ve been reading too many
romantic novels.’
‘And what about your Mr Grimm. I wonder what he will be like. I hope he isn’t as his name suggests,’ Florrie laughed.
‘He is not “my Mr Grimm.” Besides, I will be far too busy in my new
role to even think about romance. Now
come on, we’ve got a busy day tomorrow,’ Agnes said shooing her into bed.
Their stay in Ostend had coincided with the World
Exhibition in Ghent
and Papa had managed to get them tickets.
Agnes was interested in seeing the section that dealt with tropical diseases,
but Florrie wasn’t. She wanted to see
the display of the latest ladies’ fashions and, as usual, they indulged her and
a good deal of the afternoon was spent in admiring some, and laughing at the exaggerations
of others. When they left the Exhibition
the place was crowded, and the traffic was so badly regulated that it seemed
dangerous to cross the road with motorcars swerving all over the place. They
couldn’t get a cab, so tried to get on to a crowded tram. Mama just managed to get on and was pushed
off again while the tram was in motion.
It was a miracle that she landed on her feet.
They had all but given up when a cab drew
to a standstill and a fair haired gentleman jumped out.
“Ladies, please let me help you. I believe we are staying at the same hotel? Here please join me. I am going to the station. Sorry I’m forgetting my manners. Clive Owens.’ He gushed, putting out his hand
to Mama.
‘That’s awfully kind of you. I’m Emily Salvesen and these are my
daughters, Agnes and Florence .’
As the cab crawled along Mr Owens told us
he had been commissioned by a magazine to write an article on the Exhibition. He smiled politely as Mama told him of Agnes’
forthcoming trip to Japan . Agnes noticed his gaze lingering from time to
time on Florrie.
Agnes woke early the next morning, the
morning of her departure. She stood at the
window, watching the sunlight dance on the surface of the sea. She longed to take a farewell dip, but there
were no batching machines out. It was
hard to believe that in just under fifteen days she would arrive in Yokohama where she would
meet Mr Grimm and his staff. Mr Grimm was
the editor of the Japan Herald. It was
the first British newspaper to be published in Japan and she was to be the first
female administrative clerk. She knew
Papa’s influence had helped her gain the position.
‘A penny for them.’
Agnes turned from the window and found
Florrie propped up on one elbow smiling, while her free hand idly twirled a
lock of her hair. It was a habit of hers
that annoyed Agnes.
‘Oh
I was thinking how nice it would be to take a dip. The sea is like a mill-pond and it’s such a
beautiful day, but there are no bathing machines out.’
‘Go
on then, I dare you.’
‘It
would be improper to take a swim, you know that. Besides, we said we would meet Mama for
breakfast in an hour, so come on lazy bones.’
She said playfully throwing a cushion at her.
At breakfast Agnes found it impossible to follow
Florrie’s incessant chatter. Her
thoughts kept drifting to the journey ahead.
Mama could sense her nervousness as, from time to time she gave her hand
a squeeze.
etc, etc.
I like version 1 better. The first person grabbed my attention quickly and held it. I think it will be harder to sustain the first person narrative, though. It will be more work to 'stay in character' but I like it that we'll really get to know Agnes. I think that's important since she seems to be the nucleus of the story. Which do you like best? Was one version more fun to write than the other? If so, I'd go with that one!
ReplyDeleteHi Evelyn
DeleteThanks for taking the time to read and respond, it is very helpful. Version 1 was the most fun to write, especially the character of Dora. As always with first person it will be a challenge to come up with another way of saying 'I'!
Hi Anita
ReplyDeleteI think the original is the one to go for. Perhaps you could tell a good story first hand so to say. Happy writting and bon courage.
Hi Ali
ReplyDeleteThanks for your reply and for reading my chapters. The original version seems to be the one to go for. Watch this space!
I completely agree, I found myself much more immersed in the first version. You should definitely take this one up, I was disappointed that it went into a new version of Chapter 1 rather than continuing into Chapter ! :)
ReplyDeleteThanks Nic. Once I've finished The Gift I'll revisit this one. It's good to know that it's an enjoyable read so far, but a long way to go!
ReplyDelete