This weekend I was at the Parisot Literary Festival (Festilitt). Festilitt
is held in the small medieval town of Parisot in the Tarn et Garonne. The event was popular,
bringing together the local and wider community. For
me, there is nothing better than hearing an author talk passionately about
their books and the craft of writing. Appearing this year on the English programme
were Deborah Lawrenson, Sara Taylor, Helen Dunmore and Kate Mosse. The illustrator and writer, Ella Frances Sanders brought both French and English together in her session about her book,
Lost in Translation. (Click on the author's names for links to their websites) The sessions were
well attended – Helen Dunmore and Kate Mosse were by reservation only and the
Salles des Fetes was packed. Along with
14 other people I was lucky to attend a short story workshop being given by
Greg Mosse and I'm hoping to apply what I learned to some of my unfinished
stories.
Welcome to my blog. I love writing and want to share some of my efforts with you here.
Showing posts with label Literary Festivals. Show all posts
Showing posts with label Literary Festivals. Show all posts
Monday, 26 October 2015
A perfect weekend
Wednesday, 22 October 2014
Two Literary Festivals In One Week
Last week I visited the Guildford Book Festival. The previous weekend I
had been at the Parisot Literary Festival (see previous blog post). I was
interested to see how the two festivals would compare. The Guildford Book Festival was in its 25th
Year and the Parisot Literary Festival is just starting out. The other main difference was that the events
at the Parisot Literary Festival were free, but at the Guildford Book Festival
there was a modest charge.
The first session I went to was a
workshop on The Perfect Manuscript. It was run by Alysoun Owen, editor of the
Writers’ and Artists’ Yearbook. The main
messages I took away were the need to encapsulate my manuscript in three
sentences, which I’ve now done and not to send it out until it is ready – I’m
wondering if my manuscript will ever be ready!
Alysoun also spoke about the importance of joining a writer’s group,
entering writing competitions and self-promotion via a blog and Twitter.
On the Friday evening I went to
hear Kate Mosse talk about her latest novel, The Taxidermist’s Daughter. It is
a gothic thriller so a different genre from her books in the Languedoc Trilogy:-
Labyrinth, Sepulchre and Citadel. She
explained that the idea for The Taxidermist’s Daughter had probably been
bubbling away in her head for 35 years.
It is a story inspired by place, the village of Fishbourne in West
Sussex. It is set in 1912 over a short
timeframe of four days. One of the
things she said that resonated with me was that all writers are learning all of the time.
If I had had the time there were
other authors I would have liked to have heard, Andrew Marr, Reverend Richard
Coles, Sophie Hannah to name but a few. Ah
well there’s always next year!
I enjoyed both festivals.
The fact that The Guildford Book Festival is set over a whole week is a
plus, but I liked the intimacy of the Parisot Literary Festival. I feel
lucky to have been able to attend two literary festivals in one week.
Saturday, 18 October 2014
The Parisot Literary Festival 10 - 12 October
There is something inspiring listening to authors talk about
their writing process and read passages from their novels. This was the second Parisot Literary Festival
and it didn’t disappoint.
Fellow Parisot Writing Group member Vanessa Couchman was first
on. There were no signs of nerves as she
gave us an engaging talk on how she wrote her debut novel, The House at Zaronza
and how she got her publishing contract with Crooked Cat. The passages she chose to read were moving
and, I thought, encapsulated the essence her novel.
In the afternoon Amanda Hodgkinson talked about her second
novel, Spilt Milk and her novella (10,000 word story) Tin Town which appears in
Grand Central, a collection of stories by bestselling authors. Amanda read the opening extract from Spilt
Milk and the prose was lyrical. She
confessed to having written the opening scene last and I wonder how many other
authors do this.
Piu Marie Eatwell finished off Saturday’s session with a talk
about her book, They Eat Horses, Don’t They?
The author dinner in the evening proved popular. I was lucky to be on Amanda Hodgkinson’s
table and it was nice to chat in a relaxed setting.
On Sunday morning there was a cookery demonstration by
Robin Ellis. Robin played heart throb, Ross Poldark, in the 1970s series Poldark, based on the novels by Winston Graham. I spent many Sunday evenings as a child
watching Poldark with my Mum so I was excited to meet Robin. Robin
has Type 2 Diabetes so changed the way he eats and set about writing healthy
living cook books. The food he cooked us
was delicious – pumpkin soup and salmon fishcakes.
In the afternoon former civil servant, Clive Ponting, gave
a talk on how the origins and impact of World War One. His talk was hugely popular and the library
was packed.
Tracey Warr concluded the festival with a talk on her two
books, Almodis and Viking Hostage. I liked her mantra of “write what you don’t
know.” Her novels are set in the 11th
century so I guess this explains her thinking! She explained the importance of setting in her
writing and how she likes to visit a place in order to be able to write about
it in a compelling way.
The Parisot Literary Festival is a bilingual event
organised by a small Anglo-French group of book lovers. In addition to the author readings I went to,
there were readings being given by six French authors too. I enjoyed the event and was amazed to think
that all this was happening in a small village in rural SW France. I can’t wait for next year!
| With Robin Ellis! |
Thursday, 9 October 2014
The Parisot Writing Group (PWG)
The PWG met for its first session of the season on Monday
when we looked at the importance of theme in writing. At Amanda Hodgkinson’s writing workshop earlier in the year, she had said to the group how important “theme” was. Over the summer I asked the group to write a 300 word
piece on one of the themes listed below:-
Regret
Desire
Escape
Guilt
Money
On Monday we read out what we had written. It was obvious from everyone's writing what the theme was,
although in most cases, the theme itself wasn’t mentioned. I found it a liberating exercise and chose to
write a piece of life writing, which I don’t normally do. One member commented that in thinking about
theme she was able to write without worrying about a structure of beginning,
middle and end – the writing just flowed naturally.
Here is my piece:-
REGRET
My mobile phone shakes
into life. As I take the call I feel
numb with disbelief. She was meant to be
coming home tomorrow. Do I get in the
car and drive or will I be too late? As
I listen to the prognosis I twist the ring I always wear on my middle finger, a
thin band with a group of three small diamonds, her engagement ring. She had given it to me ten years ago. I had refused, but she had insisted, her hand
enclosing the ring in mine. Try it on
she had urged. It had fitted my middle
finger perfectly. She had been ill then
too, but she had pulled through. I had
offered to give the ring back, but she had wanted me to keep it, to treasure it
like she had done. It is precious to me and
I wear it always. I feel I’ve let her
down. I should be there as the life
seeps out of her, but I know I’m too late.
We finished off the session with a look at titles where we
listed the unique selling point of our book/work in progress and the genre and then asked
everyone in the group to come up with an appropriate title. This was harder than I envisaged!
This weekend it is the Parisot Literary Festival and we’re
looking forward to hearing fellow member Vanessa Couchman read extracts from
her book The House at Zaronza. The
Parisot Literary Festival was a popular event last year and this year there is
another great line-up of authors.
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